But who is this that breaks upon me? This is Miss Shepherd, whom I love.
Miss Shepherd is a boarder at the Misses Nettingalls' establishment. I adore Miss Shepherd. She is a little girl, in a spencer, with a round face and curly flaxen hair. The Misses Nettingalls' young ladies come to the Cathedral too. I cannot look upon my book, for I must look upon Miss Shepherd. When the choristers chaunt, I hear Miss Shepherd. In the service I mentally insert Miss Shepherd's name - I put her in among the Royal Family. At home, in my own room, I am sometimes moved to cry out, 'Oh, Miss Shepherd!' in a transport of love.
For some time, I am doubtful of Miss Shepherd's feelings, but, at length, Fate being propitious, we meet at the dancing-school. I have Miss Shepherd for my partner. I touch Miss Shepherd's glove, and feel a thrill go up the right arm of my jacket, and come out at my hair. I say nothing to Miss Shepherd, but we understand each other. Miss Shepherd and myself live but to be united.
Why do I secretly give Miss Shepherd twelve Brazil nuts for a present, I wonder? They are not expressive of affection, they are difficult to pack into a parcel of any regular shape, they are hard to crack, even in room doors, and they are oily when cracked; yet I feel that they are appropriate to Miss Shepherd. Soft, seedy biscuits, also, I bestow upon Miss Shepherd; and oranges innumerable. Once, I kiss Miss Shepherd in the cloak-room. Ecstasy! What are my agony and indignation next day, when I hear a flying rumour that the Misses Nettingall have stood Miss Shepherd in the stocks for turning in her toes!
Miss Shepherd being the one pervading theme and vision of my life, how do I ever come to break with her? I can't conceive. And yet a coolness grows between Miss Shepherd and myself. Whispers reach me of Miss Shepherd having said she wished I wouldn't stare so, and having avowed a preference for Master Jones for Jones! a boy of no merit whatever! The gulf between me and Miss Shepherd widens. At last, one day, I meet the Misses Nettingalls' establishment out walking. Miss Shepherd makes a face as she goes by, and laughs to her companion. All is over. The devotion of a life - it seems a life, it is all the same - is at an end; Miss Shepherd comes out of the morning service, and the Royal Family know her no more.
I am higher in the school, and no one breaks my peace. I am not at all polite, now, to the Misses Nettingalls' young ladies, and shouldn't dote on any of them, if they were twice as many and twenty times as beautiful. I think the dancing school a tiresome affair, and wonder why the girls can't dance by themselves and leave us alone. I am growing great in Latin verses, and neglect the laces of my boots. Doctor Strong refers to me in public as a promising young scholar. Mr. Dick is wild with joy, and my aunt remits me a guinea by the next post.
The shade of a young butcher rises, like the apparition of an armed head in Macbeth. Who is this young butcher? He is the terror of the youth of Canterbury. There is a vague belief abroad, that the beef suet with which he anoints his hair gives him unnatural strength, and that he is a match for a man. He is a broad-faced, bull-necked, young butcher, with rough red cheeks, an ill conditioned mind, and an injurious tongue. His main use of this tongue, is, to disparage Doctor Strong's young gentlemen. He says, publicly, that if they want anything he'll give it 'em. He names individuals among them (myself included), whom he could undertake to settle with one hand, and the other tied behind him. He waylays the smaller boys to punch their unprotected heads, and calls challenges after me in the open streets. For these sufficient reasons I resolve to fight the butcher.
It is a summer evening, down in a green hollow, at the corner of a wall. I meet the butcher by appointment. I am attended by a select body of our boys; the butcher, by two other butchers, a young publican, and a sweep. The preliminaries are adjusted, and the butcher and myself stand face to face. In a moment the butcher lights ten thousand candles out of my left eyebrow. In another moment, I don't know where the wall is, or where I am, or where anybody is. I hardly know which is myself and which the butcher, we are always in such a tangle and tussle, knocking about upon the trodden grass. Sometimes I see the butcher, bloody but confident; sometimes I see nothing, and sit gasping on my second's knee; sometimes I go in at the butcher madly, and cut my knuckles open against his face, without appearing to discompose him at all. At last I awake, very queer about the head, as from a giddy sleep, and see the butcher walking off, congratulated by the two other butchers and the sweep and publican, and putting on his coat as he goes; from which I augur, justly, that the victory is his.